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The Square Nine Hotel by Isay Weinfeld in Belgrade, Serbia  
 
 
Image Courtesy of Square Nine Hotel 
ARCHITECTURE 
Project: Square Nine Hotel 
Location: Belgrade, Serbia 
Author: Isay Weinfeld 
Collaborator architect: Domingos Pascali 
Project manager: Elena Scarabotolo 
Design team: Adriana Aun / Adriana Zampieri / Ilza Fujimura  
SUPPLIERS 
Woodworks: Moveis Teperman 
Marble: Marble & Granite Service Srl – VR Italy 
Flooring and Wood on fa?ade: Indusparquet 
DATES 
Beginning of the project: 2005 
Building completion: February 2011 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Image Courtesy of Square Nine Hotel 
Isay Weinfeld is undoubtedly one of our favorite architects.  His architecture is always clean and modern, functional and contemporary, and in ‘fashion’ even twenty-years down the road!  Designed by Brazilian Architect Isay Weinfeld, the Square Nine Hotel is a contemporary construction integrating both modern and historical elements, as seen in many of the surrounding buildings.  Located in the heart of Belgrade’s historical center, the boutique-inspired hotel is within walking distance to shops, restaurants and the Kalemegdan - an ancient Roman fortress turned park in a centrally urbanized part of town. 
When you visit the Square Nine Hotel website, you immediately cannot help but notice two clocks representing two very different time zones - Sao Paulo and Belgrade.  And the link between the two countries half a world apart? Isay Weinfeld.  The concept of the hotel was born from the owner’s desire to be part of Belgrade’s renovation impressing a luxurious, but more familiar character onto the city, where in the last two decades only big hotels from international chains, not committed with the city’s identity, have been created.  Square Nine Hotel is located on one of the few remaining sites that allows for new construction within the historical city center, across from Students Square (Studentski Trg) and is within walking distance to historical landmarks, the National Theater and the National Museum.  |   
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