葡萄牙布拉加的生命之树教堂

大陈

它被称为Capela Arvore达的生命- - - - - - - - - - - - Seminario Conciliar德布拉加的生命之树教堂在布拉加的詹姆斯神学院领取,葡萄牙。

结构就像一个小屋,一艘船、一蜂窝或一片森林。窄木条的- - - - - - - - - - -多用书籍也提供开放的天花板允许光,发挥自身的魔法时刻的一天。这是一个定时录像中建造过程在这里。







其他参与者在美丽的教堂项目包括曼努埃尔·罗莎雕塑家、画家Ilda大卫,风琴制造商佩德罗Guimaraes、意大利摄影师爱德华多迪Micceli和土木工程师Joaquim卡瓦略。



礼拜堂函数作为亲密的祈祷室,一处安静思考对于住在神学院。每一个细节中,展现了其结构及其装饰品起源于圣经。甚至整个楼层平面图和结构方案呼应了六天的创作和第七天的休息。 有一个亲密的关系和温柔的教堂外面的世界,拥有自己一个诱人,引入流体通道的空间,而不是明确的时候与一...



人，天生就是崇尚自然。被钢筋水泥包围的人们，更是向往自然的慰藉。 位于西班牙布拉加的生命之树礼拜堂更是完美的诠释了自然与建筑相结合的魅力。 整体使用了超过20吨的原生木材，整体架构号称没有使用过一钉一铆。 透过光和影，嗅到那沉重的木香，或许更是让人的心灵变得更加安宁。
Predisposed as we are to loving all things that involve curving wood, natural light and minimalism, it is not surprising we fell head over heels in love with this exquisite chapel. It is made with 20 tons of unadorned wood and not a single nail or metal fitting.

It is called Capela árvore da Vida- Seminário Conciliar de Braga — The Tree of Life Chapel at St. James Seminary in Braga, Portugal.

Built inside the existing seminary, the chapel was designed by architects António Jorge Cerejeira Fontes and André Cerejeira Fontes, with sculptural work by sculptor Asbj?rn Andresen.

All three are with the Braga-based Imago, also known as Cerejeira Fontes Architects - Imago Atelier de Arquitectura e Engenharia. Andersen is a Norwegian sculptor, who lectures and works in Sweden, Norway and Portugal. The Cerejera Fontes brothers are both engineers and architects currently pursuing PhDs in Urban Planning.

Other participants in the beautiful chapel project include sculptor Manuel Rosa, painter Ilda David, the organ builder Pedro Guimar?es, Italian photographer Eduardo di Micceli and civil engineer Joaquim Carvalho.

The chapel functions as an intimate prayer room, a place of quiet contemplation for those living in the seminary. Every detail of the structure and its adornments draws its origins from the Bible. Even the overall floor plan and structural solutions echo the six days of creation and the seventh day of rest.

There is an intimate and gentle connection between the outside world and the chapel itself, with an inviting, fluid pathway leading into the space, instead of a categorical doorway with a heavy, excluding door.